Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Wednesday, 11 May 2022

Not That Many Updates

We have a release month again, of course, as it’s definitely May by now. Since the release of “The Fourth Reich” is coming up, here is an update from me as to the books which I have written or plan to finish soon or plan to write soon. I have more than enough projects waiting and really need to discipline myself more, so I get them out into the world before I think up even more projects.
It is not that I haven’t written anything — I wrote over 60,000 words last month. It’s just that relatively few of them were part of any official projects. There was a lot of smut, but there was little about Colin (who is now stuck in a manor home in a time loop with a killer…). Yet, I have written a lot, which means I can write a lot. I just need to focus more on the actual projects I have, such as Colin’s stories and the novel “Sword and Dagger” (working title, might become a series title) which I’ve set up to write next and hope to start this month after I finish with Colin.

My current release list:

  • The Fourth Reich (May 2022)
  • The Haunting of Winterthorne Hall (August 2022)
  • The Necromancer’s Notebook (Isadora Goode Vol. 2; November 2022)
  • The Lady of the Dead (February 2023)
  • DI Colin Rook Vol. 1 (May 2023)


My next two projects:

  • Sword and Dagger (novel, might be the start of a new series)
  • John Stanton - Agent of the Crown Vol. 3


My projects are plotted, so all I need to do is to sit down and write them — which is, of course, the longest part of the writing process. Apart from the two projects listed above, I have a long list of other projects which are plotted and ready for writing. Quite some of them are mystery stories, there’s also a few horror stories coming up, and I do hope that I will also get around to continuing the Magpies series — I have ten titles at the ready, yet only one book finished and none more plotted.
I also want to switch as regularly as possible between story collections (such as Colin Rook), novella collections (such as John Stanton or Isadora Goode), and novels (such as this month’s “The Fourth Reich”). I have a lot more novels than other things plotted, though, so I can see myself writing more novels than other stuff in the near future.

I’ve also started to post ‘character dialogues’ on my Facebook Page every day. They’re short dialogues between me and my characters (sometimes, I even win…). If you check my page regularly, that might give you a bit more to read instead of only a few posts a week.

That’s it for the update. I hope it’s been informative. Check my Facebook Page, if you haven’t already. By the end of the month, “The Fourth Reich” will be out, then I can return to writing and finally get Colin out of that time loop.

Saturday, 5 March 2022

Work Update

Last Monday, “Theoretical Necromancy Vol. 2” was released, so it is time again to do an update on my current work and my planned projects.

I have plotted a lot of different projects the last couple of months and all of them will eventually get written — I hope. First of all, though, here is an update on my release schedule:

  • May 2022: The Fourth Reich (standalone novel)
  • August 2022: The Haunting of Winterthorne Hall (standalone novel)
  • November 2022: The Necromancer’s Notebook (Isadora Goode Vol. 2, 3 novellas)
  • February 2023: The Lady of the Dead (standalone short story collection)
  • May 2023: DI Colin Rook Vol. 1 (short story collection)


Here are my current projects which are not yet written.

Novels:

  • Murder at Siegfried’s Rest (standalone mystery)
  • The Phantom (might be first in a series of thrillers)
  • Killer Investigation (standalone mystery)
  • Bred for Power (standalone superhero story)
  • The Black Friar of Milton Manor (standalone mystery/thriller)
  • The Templar’s Cross (standalone horror story)
  • Manor Murder (standalone mystery, title may still change)
  • The Curse of the Devil’s Voice (set in the Theoretical Necromancy world)
  • Shadow and Sun (standalone cultivation story)
  • Changing Plans (standalone superhero story)
  • The Strange Case of the Scorned Spectre (might be first in a series of mysteries)
  • Sword and Dagger (might be first in a series of fantasy police procedurals)


Novellas:

  • The Mastermind Trilogy (3 heist-type stories)
  • The Eye Vol. 2 (Vol. 2 of The Eye series)
  • The Misadventures of Isadora Goode (Vol. 3 of the Isadora Goode series)
  • John Stanton — Agent of the Crown Vol. 3 (Vol. 3 of the John Stanton series)



Short Story Collections:

  • On An Adventure (standalone adventure stories)
  • Vampire Hunt and Other Stories (set in the Theoretical Necromancy world)
  • Hunters (standalone horror/pulp stories)
  • The Crew (standalone horror/pulp stories)
  • Fallen Angel (standalone horror/pulp stories)
  • Scholomancer (standalone horror/pulp stories)
  • Creatures United (standalone horror/pulp stories)


As you can see, there’s a lot of stuff to write. I will have to focus very much on my writing to make sure I get all of it done in time. There’s still three projects caught in plotting which might or might not happen and are, therefore, not added here. Everything that I have listed is plotted out and can be written as soon as I get to it. Everything listed for release is already written. The lists are not in any special order, just in the one in which they’re on my kaban board, which is completely random.
I usually can do a project in about one month if I really focus on it, so I could, theoretically do about ten a year (having about half the month during my four release months of the year), but I rarely get more than six or so done — real life has a way of intervening as in January and February this year.
My main problem in recent months was that I had ideas for new stories, researched and plotted them, and didn’t write as much as I should and could have done. Yet, I also need a break here and there, so I won’t really stop doing this. It re-fuels my imagination.
After reading a couple of cultivation novels (I have a review for one coming up), I wanted to try my hands at this, too, which is how “Shadow and Sun” came to be.
I wanted to do a homage to Hammer films and ended up with the plot to “Fallen Angel”.
I watched the old German Edgar Wallace movies and from them was motivated to plot “The Black Friar of Milton Manor” as my own take on the genre.
“The Phantom” has its roots in my love not so much for the Fantomas novels, but the three French Fantomas movies. I have taken some of the basics from there, but changed even more.

Such things happen. They make sense and they can lead to a lot of fun. They also lead to even more projects. I’m looking at several years of work, looking at the lists above. In the end, however, it will be worth it.

Saturday, 10 July 2021

My Organisation

While a lot of stuff I put on this blog is about writing as a such, there’s another level to it as well - being organized enough to keep writing. I do like being organized and that means I’ve tried out several things over time, for doing my outlines and for keeping an eye on my writing in the physical sense.

 

In 2020, I migrated my outlining from OneNote to Campfire Pro and, even though it was a pain in the ass to do, I’m glad I did it. Campfire Pro has all I need to keep my notes on my series together and in the same place. It’s flexible to use and I certainly can work well with it. That doesn’t mean OneNote didn’t work for me, but Campfire Pro works better.

Usually, I’m using three of the areas for my work: characters, timeline, and encyclopaedia.

The character area is pretty self-explanatory, I should think. There, I keep names, characteristics, and other information about a recurring character. It helps me to keep things constant, especially with my series. I would hate to give a character a different look all in a sudden or give them skills they’ve not had before and which haven’t been introduced in any way.

The timeline is where I do the actual plotting. I use the ‘event’ pieces for the scenes and build my story that way. Like this, I lay out what happens in the story from beginning to end, see where the plot goes, see how to tell the story. It’s a good way to do my ‘discovery plotting’ and helps me find big holes before I start writing the story.

In the encyclopaedia, I put down important things happening in a story, the non-recurring characters, and a summary. This is where I can look up information when I need to reference something from another part of a series, which can come in very handy. In essence, all stuff that doesn’t go into the character or timeline area goes here.

For some stories, like those about my necromancers, I also use some parts of the world-building pack to write up magic or organisations.

 

The second thing I couldn’t keep organized without is my bullet journal. I actually started to use one to track my word count each day in 2014 and it developed from there (since 2019 with the help of YouTube and the internet…).

I have a work tracker for each month which I reworked in April this year, switching from only tracking my words per day and my editing on release months to tracking my words, my editing, my plotting, and my research every month. I’ve been doing it for two months now and have entered the third and it works wonderfully. It’s much more representative of my work than my old tracker was, which does wonders for my motivation.

In addition to that, I’ve had a list with my books for release for a long time already and have recently added a list with stories I still need to write and a specially-made kaban board with all the stories which are at least in the plotting stage and not yet out of release.

Every month, I set myself a goal in words and list a book to release on a release month. Every week, I list the chapters I wish to write or to edit. Like this, I have a good plan of what to do in a week and know what to do next. That doesn’t mean these plans always work out - real life does exist and interferes often enough. It means, however, that I can judge what I can do in a week and what I might be able to finish when.

For writing longer stories, such as a novel, that is very helpful. A novel seems pretty long when you start - when you can write down chapter one to eight or ten for the first week (that I can do in a week and I know it), it looks much shorter. A chapter is much less scary than twenty or thirty or more, much more manageable. Yet, ever chapter brings me closer to the big goal of finishing a novel or a set of novellas.

I’m glad I have my bullet journal for this part of the organisation. I could do it in a digital form, too, but sometimes it’s just so nice to have something analogue, something you can touch and carry around with you. I’m doing much better with a self-made calendar I can use whatever way I want and need to.

 

For the actual process of writing, I have a pomodoro app which I’m very glad for. The pomodoro method, for those of you who haven’t heard about it, is a way of pacing the work day. Usually, it’s 25 minutes of work, 5 minutes for a small break, and, all four cycles, a 15-minute break for a bit more rest. Like this, you can work very focused without getting too exhausted. It’s much better than trying to work without a break or getting distracted every few minutes after a while because your concentration goes down. With the 25/5 rhythm, concentration can be kept up for much longer, at least for me.

I use my app both for writing and for editing (for my novels I set work time to 30 minutes in editing, but that’s the only change I need). It paces me and enables me to write two chapters of 3,000 words each per day. I don’t say I could never do that before, but it’s certainly much easier with the app and I can do it reliably, not just when the muse strikes me.

 

Discipline is a must, but good organisation helps with writing, too. Campfire Pro gives me a way of plotting in peace and ironing out the problems with a story before I put the first word into my word processor. My bullet journal helps me keep an eye on what I’m doing for my work, how much I write, when and what I plot, what I edit or when I’m doing research. The pomodoro app helps me to focus while I’m writing or editing, efficiently working and doing things in as short a time as possible. All three together keep me organized and allow for me to keep up a four-books-a-year publishing cycle.

Monday, 31 May 2021

Schedule Update

Today, the third volume of the Black Knight Agency goes into release, which is a good time to look at my release schedule and all the other stories in the pipeline.

 

First the release schedule as far as things are written and ready for editing:

  • “Grey Eminence” (Black Knight Agency 3) - May 2021
  • “Ignition Rites” (Knight Agency 8) - August 2021
  • “Flatmates & Spies Volume 1” - November 2021
  • “Theoretical Necromancy Volume 2” - February 2022

 

Next, the list of books which are planned out already and when they will be most likely released:

  • “The Fourth Reich” - May 2022
  • “The Haunting of Winterthorne Hall” - August 2022
  • “The Necromancer’s Notebook” (Isadora Goode 2) - November 2022
  • “The Curse of the Devil’s Voice” (Theoretical Necromancy 3) - February 2023
  • “Fallen Angel” - May 2023
  • “Killer Investigation” - August 2023
  • “DI Colin Rook Volume 1” - November 2023
  • “Who Is The Phantom?” (The Phantom 1) - February 2024

 

Projects which are still in the outlining phase and thus don’t have a possible release date, as I don’t know when the outline will be finished:

  • “The Countess Volume 1”
  • “The Eye Volume 2”
  • “Isadora Goode Volume 3”
  • “John Stanton Volume 3”
  • “Spirit Master”
  • “The Black Bandit”

 

Projects which are just thought up, but not yet outlined or plotted in any way and might or might not exist one day:

  • “Creatures United”
  • “The Dragon Lord”
  • “The Man in the Shadows”

 

These are all the projects which I am currently juggling in some way or other. I have recently re-organized the lists, trackers, and other aides for my work and hope to get down to writing for a while now. Everything apart from my release list can still change. I might change the order in which I will continue to write the stories which are already outlined, although I’m already deep into “The Fourth Reich”, so at least this one is unlikely to change position.

It should also be noted that “The Curse of the Devil’s Voice” will be a novel, unlike the first two volumes of Gabrielle Munson’s adventures in novella format.

“Fallen Angel” and “DI Colin Rook Volume 1” are collections of interconnected short stories, a new format I have been experimenting with. “The Countess Volume 1”, “Spirit Master”, and “The Black Bandit” will also follow that format, as will “Creatures United” and “The Man in the Shadows”, unless much changes.

 

As you can see, I have a lot of stories to write and to publish, so I’m unlikely to run out of new material in a hurry.

Wednesday, 15 July 2020

Release Plans

It is time, I think, for another update on my release plans. So far, the remainder of this year is covered and plans for next year are made. All stories mentioned here are either already written or fully plotted, so that the writing is only a matter of time.

 

  • August 2020: Theoretical Necromancy Volume 1 - a collection of the following stories: Stray, The Tower, and The Death Mark
  • November 2020:  The Eye Volume 1 - a collection of the following stories: The Mind-Control Beam, The Hunter, and The Missing Professor
  • February 2021: The Lives and Times of Isadora Goode Volume 1 - a collection of the following stories: Birth of a Necromancer, Dracula’s Tomb, and Damsel Disaster

 

- so far, the stories are written, awaiting editing -

 

  • May 2021: Grey Eminence - the third Black Knight Agency Novel
  • August 2021: Ignition Rites - the eighth Knight Agency Novel
  • November 2021: Flatmates and Spies Volume 1 - a collection of the following stories (as planned): The Cannon Plans, The Chess Master, and The Scarlet Madam

 

- so far, the stories are plotted down to the scenes, but not written -

 

Other plotted stories include the first one for Colin Rook, the first for the second volume of Theoretical Necromancy, and the first for the third volume of John Stanton - Agent of the Crown. There are more projects which are in an early planning stage and which I will have a lot of time to work on while also working on the fully plotted stories. Among those in early stages are a second Magpies novel and a pulp novel with an alternate reality in which the Nazis tried again and won.

 

These are my future release plans. Updates will be made as they are necessary.

Wednesday, 4 September 2019

"Grave Diggers" is in Release


August was, again, a month for editing, proofreading, and the release of a book. In this case, “Grave Diggers,” the seventh Knight Agency novel. It’s out on Amazon and in release on several other platforms, including some library ones.

There’s not much in the pipeline which is finished - the last year and what happened there (first my mother’s death, then two moves, then a change in my daily life) have sapped my reserves. I could only keep publishing by adding two collections of novellas I’d written a long time ago (“The Loki Files” volume 1 and volume 2).
Currently, I have material for November this year (“John Stanton - Agent of the Crown” volume 2) and February (the standalone novel “Alex Dorsey”). I’m also working on more, though, and have several projects which I hope to finish in the following months. There’s an eighth Knight Agency novel (working title “Ignition Rites”), a third Black Knight Agency novel (working title “Grey Eminence”), a second Magpies novel (working title “Two for Joy”), and a few smaller projects, such as adding a third Swenson & Carter novella and publishing those three, and a trilogy of novellas around a count living in a quasi-Victorian age (“The Case of the Blind Medium,” “The Case of the Blood Ruby,” and “The Case of the Cornwall Vampire”).
I’ve also dived deeper into pulp territory with the first The Eye novella “The Mind-Control Beam” (the Eye being my spin on your classic pulp vigilante character) and lined up a story for a genetically engineered killer who deals out justice for money (the series will go by The Cobra).
It’s not as if I’m missing ideas, it’s more that I can’t write as undisturbed as in the past any longer and I’m just about to adapt to the new schedule the changes in my life have forced on me.

“Grave Diggers” is out now, which means I now have two months I can use for writing and, hopefully, finishing a few of my projects (especially novellas rarely take me more than a week or two). Regular posting will resume on Saturday with a review post about Jasper Fforde’s Nursery Crimes series.

Wednesday, 29 May 2019

Imminent Releases


It’s May and so I’m editing the next book for release. On the 31st, “One for Sorrow,” the first Magpies novel, will be released. That’s not all which is on the horizon, though (luckily for me). So this post is a short roadmap of what is going to come out during the next few months.


  • August will see the release of the seventh Knight Agency novel, “Grave Diggers.”
  • November will bring about the second volume of “John Stanton - Agent of the Crown,” which includes the three novellas “The Case of the Horrid Hellhound,” “The Case of the Goddess’ Assassin,” and “The Case of the Deadly Documents.”
  • February next year will be the month in which my vampire hunter drama “Alex Dorsey” will be released.


I currently have quite some projects in the works, too.
The third Black Knight Agency novel, currently titled “Grey Eminence,” will have to undergo severe changes, because I’ve realized I’ve written myself into a corner with it. I even mentioned that in the last post before this one.
“Ignition Rites,” the eighth Knight Agency novel, is still in the early stages, but I’m looking forward to incorporating a few scenes I already have in mind. The basic plot is there, the sub-plots still need a little work.
“Two for Joy” is the title for the second Magpies novel, but it’s in a very, very early stage (I barely have the plot, but I want to revisit Inez and Tom, so there’s that).
Then, there’s three novellas with a common cast which I still have to write, but I’m sure they’ll see the light of day eventually under the current title “Benjamin Farrens.” I’ve already written quite a bit of “The Case of the Blind Medium,” but “The Case of the Blood Ruby” and “The Case of the Cornwall Vampire” only exist in my head so far.
Finally, there’s another Swenson and Carter story I want to eventually write and add to the first two, at which point they, too, will see release in e-book. “Vengeful Ghost” and “Raging Blood” are done already, but “Christmas Spirit” hasn’t gone far so far.

The Benjamin Farrens project is the oldest of them all, to be honest. I wanted to write it down as a novel years ago, but the actual structure lends itself more to three novellas with an overlying arc of gathering the necessary talents for the last of the three cases Count Benjamin will have to tackle. Not to mention that this one, together with the Swenson and Carter project, will give me the chance to dive into a real late-Victorian setting. John Stanton, after all, is a modern-day Steampunk era.

This is the roadmap, but the course may have to be re-plotted, if real life should intervene.