Every hero
of every story has some growing to do. They need to change, to become better,
to become someone else than they were at the beginning. Because that is the
core of a story. The world at the beginning and the world at the end differ.
Perhaps only for the main character, perhaps for everyone - that is down to the
author’s decision. But there always will be a change and the main character
will have had a hand in it.
This is
actually where ‘slice of life’ stories often fail, if the author doesn’t plot
them well enough. A ‘slice of life’ story usually tells something about an
ordinary person. It’s not an epic adventure, just a look into the life of
someone. But even this look has to show us something, something more than
‘business as usual.’
A ‘slice of
life’ story which just tells us something about a guy who goes to work in the
morning, has lunch, goes home, and spends time in front of the TV isn’t
interesting. But it’s not because of the ordinary life he’s leading. You can
make this story interesting by a minor tweak and without adding a villain or a
huge alien invasion. How? Let me give you an example. The guy goes to work like
every day. You drop hints he’s very set in his ways, he likes routine. He
leaves his desk at noon, like every day, to go to the same place for his lunch.
But the place is closed. Suddenly, the guy has to figure out where to get his
lunch that day. His routine is interrupted. He doesn’t live where he works, he
hardly knows the streets around his workplace. He chose his little diner for
lunch, because it was closest to work. Now he has to venture out into the
unknown. He needs to find another place with food he likes, which isn’t too
expensive, which isn’t too far away, since he only has limited time. That makes
an interesting ‘slice of life’ story. The closed diner is the change which
forces him to do things differently. He has to venture outside of his
comfortable, little life. That is an interesting story.
Fairy tales
also always include changes. The main characters have to do something new,
something different. They have to go to new places (being forced out of their
regular life is a trope you will find often), they have to meet with new
people. They have to face failure and have to change to overcome it. Sometimes,
the failure is experienced by someone else. The prince in ‘Sleeping Beauty’
(the fairy tale, not the Disney movie) is not the first, he is the last who
comes for the beauty behind the hedge. Because he has learned from past
mistakes, he knows what not to do. Often, the prince who succeeds is the
youngest of three brothers (three is a magical number in fairy tales) and his
older brothers have failed already. Snow White has to leave her home behind,
the princess becomes a housekeeper, she dies and is reborn. Those are a lot of
changes. You can find those tropes, to a higher or lesser degree, in every
fairy tale.
Any kind of
story which is interesting to read deals with a change. And every protagonist,
no matter how normal or how heroic, has to change with it. Has to grow and
develop new abilities. Like the hero in a role-playing game who learns new
abilities and gets stronger and more powerful, the hero in a story has to
develop into someone new. It might be a minor change, as in that ‘slice of
life’ story, just a man who has to explore and find a new place to eat. It
might be a major change, like a simple peasant boy becoming a knight. It might
only be visible to the hero him- or herself. It might be obvious for everyone
who meets the hero. But there always will be a change.
Growth is
what makes a story interesting. Action does as well, but even the action must
be connected to some kind of change. You fight a battle, because you need to
defeat the enemy. You don’t fight a battle and everyone goes back home without
any changes in power, lands, or other things. You chase a car through the
streets of a city, because something important is in it, something which will
change a situation. You don’t just drive around the city on high speed just following
another car for fun. The story of the hero changing, becoming stronger and
better, is the core. Whatever else happens around it makes the story unique and
gives it a theme.
And the
change has to be felt. If that guy from the ‘slice of life’ story were eating
his lunch at various places throughout the week, even if he’s always eating at
place A on Monday and place B on Tuesday and so on, then the diner being closed
wouldn’t be much of a change. He would have to swap hamburgers on Wednesday
with tacos on Tuesday - the horrors! But the only place he ever eats at being
closed forces him to leave his comfort zone and go on an adventure. That’s why
I mentioned that you should show the guy loves his daily routine. He probably
dislikes weekends and holidays, because they break it. And then - bam! - the
diner is closed and he needs to find another place to eat.
A good way
to decide what kind of change, what kind of challenge, a hero needs, is to look
at their life. If they love routine, force them to break it. If they are close
to a person, remove that person, so they have to follow. If they have power,
take it away. If they don’t have power, give it to them. Find out what is most
important to them and change it. Find out what will make them change, because
they value it enough.
To tell an interesting story, you
need to have a change in it, something which forces the main character to grow
and change their ways. It can be a little growth or a big growth, but it always
has to be a growth.
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