Dr. Greta Helsing (the
family apparently dropped the ‘van’ when they immigrated to England in the
1930s) has a very specialized practice in Harley Street, London. It’s far more
specialized than any other practices at that very prestigious address. Because Greta,
like her father before her, has specialized in treating those who are usually described
as ‘monsters:’ vampires, were-creatures, banshees, mummies, and so on.
The novel “Strange
Practice” by Vivien Shaw starts with Greta on her way to a house call in her
very old mini. It’s early in the morning, but for Greta, those are normal work
hours, since not all of her patients keep to regular office hours. Edmund
Ruthven (who is, technically, a mere earl and not a lord) has asked her to come
and see him. And he’s neither the only literary figure we meet in the book, nor
the only one we meet in the first chapter, because a certain Sir Francis Varney
has come to him with severe injuries, putting two very different vampires in
Greta’s vicinity right away. Ruthven still is annoyed at Polidori’s naming the
novel ‘The Vampyre,’ because there’s two types of vampires and he’s not a
vampyre, unlike Varney. Ruthven is a draculine (meaning the same type of
vampire as Dracula), while Varney is a lunar sensitive, which makes his life
even harder (because he really can only drink the blood of virgins, unlike
other vampires). The first chapter also assures us readers that Greta is one
hundred percent normal, a human with no supernatural abilities whatsoever. She
just happens to know that the supernatural does exist and she has taken on the
family business of caring for supernatural beings in need of a doctor.
The novel’s plot
quickly picks up speed, there is a hidden danger, a group of men in monk’s
clothing who kill those they think are wicked and need to be killed for it
(human and monster alike). They attacked Varney with a blade dipped in a very
potent poison and Greta first of all has a hard time getting it to heal - which
should be an easy feat for a vampire under normal circumstance. The novel then
allows for us to follow the story through several different viewpoints. All
main characters (only two of whom are human) get their part of it to tell, but
Greta is the main viewpoint character for the story.
The plot is well-told,
the pacing makes the novel a joy to read, and it really pulled me through in
almost one go (had I not started it very late in the evening, I might have been
tempted to just read on and on and on). The only thing I would have done
differently is to leave out the short viewpoint of the antagonist - it’s not
really necessary, as the motivation is explained by another character later on,
and the novel already has a lot of different viewpoints. But that is
complaining on a very high level, so no reason to avoid the novel as a such.
The way Vivien Shaw
handles the characters is, however, the best part of the book for me. The
‘monsters’ (two vampires, a demon, a ghoul chieftain and some of his tribe)
come across as surprisingly human, while at the same time it’s never denied
that they are not human and do not act or think completely human. Ruthven and
Varney do feed - on bought blood, if possible, on humans, if not. They avoid
killing, both because they are vampires with a soul (but way better done than
most of those) and because it’s not necessary for them, since they can’t drink
more than about a pint of blood in one go, anyway (an amount a human can spare
without dying - it’s about the amount you lose when donating). The demon is
quite world-weary, an exiled from Hell who sometimes takes much less care with
his body than he should, but at the same time also a fatherly friend to Greta.
The ghoul chieftain is Greta’s patient for anxiety and slight depression she
treats with medicine (although he and his clan have a bigger role to play than
just that) - a result of trying to keep his tribe alive in a world which offers
less and less hiding places for the subterranean carrion-eaters. Yet, eating
corpses (even those of their own kind, because it’s a ritual for them), is
perfectly normal for him and Greta doesn’t expect anything else. Mummies, as we
learn from a short scene at her clinic, have a tendency to lose bones to
entropy and need new ones (which Greta carves for them before implanting - she
wants a 3D printer, so she can do better ones).
The most important
character, however, is Greta herself. She is a strong woman without being a
badass fighter or suchlike. Greta doesn’t use weapons (above a pepper spray in
the only scene with her which could qualify as a fight scene), she can’t kill
someone with a spoon, and she is not ‘strong’ in a physical way, either. She is
a doctor and that is where her strength as a character lies. She cares, not
only for humans, which is easy. She cares for the ‘monsters’ she treats. For
making their lives better, for offering them better treatments. She cares more
for having more money to renovate and expand her clinic than for getting a new
car (despite the age and overall condition of her mini), buying new clothes
(despite mostly wearing hand-me-downs), or moving into a better flat. She cares
for everyone whom she meets who needs help - even for the monk who almost
killed her. One could say that Greta is a perfect example of creating a
character who embodies the feminine principles. She is a caregiver and a
healer, not a warrior or a killer. Her utter conviction that everyone deserves
her help is what makes her so strong. She doesn’t walk away from a patient. She
doesn’t turn her back on someone who is not, by any definition of the word,
human. She walks into danger, not to challenge it, but to help and protect
those who need it. She is an embodiment of the Hippocratic Oath.
If you want a story filled with
horror creatures who are less monstrous than the humans hunting them, if you are
looking for a female lead who is strong without being a fighter, if you want to
spend some very amusing hours with a good book, I can only recommend “Strange
Practice” to you.
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