On our planet, about
fifty percent of all humans are female (moving towards fifty-one percent, as it
were). This means a large number of people you meet when going out on each day
should be female, too - unless you live in a society where movement of women is
severely limited by the laws. Why, then, does it seem to be so different in
stories?
This isn’t just about
having female heroes or at least some female members of your hero’s team. This
is also about all the people the hero talks to, buys stuff from, asks for
assistance. Even if the hero group is just hitting the local tavern in the evening,
why is it shown to be filled with men only? Why are the only women around there
often the ‘serving wenches’ the heroes can comment on or lust for?
A lot of fantasy
novels are based on medieval Europe and at that time reading was a rare skill (even
most nobles couldn’t write and read, it was mostly down to priests, monks, and
nuns), so the women certainly didn’t stay at home with a good book. Radio, TV,
or internet weren’t invented already, so there was little to do for relaxation
in your home. As soon as one of the children was old enough to look after the
rest of the kids, there was no reason why a woman shouldn’t come with her
husband every now and then. A few women peppered in with the men would,
therefore, make sense.
As for the ‘serving
wenches’ - in most cases, they might actually have been the innkeeper’s wife
and children. Families worked trades, shops, or inns together, so the husband
might keep the bar, the wife might do the kitchen, and the children would help
out wherever needed (taking care of mounts brought in by guests, serving meals
and drinks, assisting in the kitchen, taking care of rooms, etc.). Therefore,
the innkeeper probably wouldn’t take too well to the heroes interest in his
waitresses.
Apart from that, women
were far more visible in medieval times than they are in most fantasy stories.
As mentioned, trades were a family business, so while the blacksmith was
hammering metal into submission, his wife might very well sell the finished
products or do the first talks about what the heroes would need. Most likely,
she’d be able to tell how hard it would be to repair that sword or she might
sharpen their weapons - a less strenuous task than actual blacksmithing.
It’s not unlikely some
shops might even be owned by women - women were allowed to own land and operate
shops (unlike some crafts and trades, where only the widow could continue the
work of her late husband). The heroes could very well be buying their
provisions from a couple of women on the market or a woman keeping a store.
Yet, even the side
characters which only exist for purposes of giving those heroes what they need
more likely than not are male in many cases. It also doesn’t get better in
stories set closer to our own reality or in our reality. There are many women
who work jobs the heroes could make use of, yet healing (whether in fantasy or
real settings) seems the predominant way they come in (that and the love
interest). What about the woman who sells guns under the counter? The female
hacker? The lady who knows all and sundry (what with women supposed to gossip
more than men)? They can exist just as well.
Women make up fifty
percent of the world population. They don’t have to make up fifty percent of a
hero party (though it would be nice), but they should exist in a story. The
heroes should meet them every now and then.
Of course, some will
argue that there are settings where few or no women are present, such as a jail
or the barracks. While that is true to a degree, those are very specific
settings which aren’t used that often in stories. In most cases, heroes pass
through regular towns and villages and visit regular places. In those cases,
there’s no need to omit women. They’ll be there, so show them.
In case you have a
society which does keep women from public spaces, you should think about why
that is the case. Are women in that society so rare they need to be protected
in every way? Are they not considered fully human? If yes, why? It’s not
lightly that any society would confine fifty percent of the populace to the
private space. Most societies don’t keep one gender locked away in general, so
if you have a society which does that, it should come with good reasons (at
least within that society’s logic).
Again, this is not
about making fifty percent of your hero party female. While I could think of
good reasons to have more than the one ‘tough girl’ in a group of heroes (representation,
for one thing, is much easier if you can spread traits and characteristics
across several people), there can be good reasons to have more men than women
in a group - even no women at all. They could be former mercenaries (in a
society where female mercenaries don’t exist) or they could be monks (not all
monks are peaceful), for instance.
On the other hand, the
more diverse your group is in every aspect, the more ways there are to solve
the quests they go on and to win the fights. Just as different types of
fighters in a group are good, different ethnicities, genders, or sexual
orientations can have a lot of advantages for the writer. They make the world
bigger, more vivid, and more lived-in - more organic. The more organic and
lived-in a world seems, the easier it is for the reader to live in it, too.
In most cases, your world will have as many men as women around. Keep
that in mind when you’re writing a scene. It usually doesn’t hurt when side
characters change gender, because they’re just there to perform a service for
the heroes. Make your world feel more lived-in and make it diverse and
interesting for the reader.
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